OSIRIS ISIS 12 ISIS OSIRIS
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1 |
1 |
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5 |
5 |
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2 |
1 |
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14 |
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3 |
1 |
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20 |
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4 |
1 |
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5 |
5 |
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5 |
1 |
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18 |
9 |
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6 |
1 |
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20 |
2 |
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7 |
1 |
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1 |
1 |
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8 |
1 |
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9 |
9 |
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9 |
1 |
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5 |
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10 |
1 |
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13 |
4 |
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11 |
1 |
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5 |
5 |
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12 |
1 |
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14 |
5 |
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13 |
1 |
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20 |
2 |
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5+9 |
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1+3 |
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1+5+8 |
5+9 |
5+9 |
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3+0 |
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1+0 |
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9 |
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4 |
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14 |
14 |
14 |
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1+4 |
1+4 |
1+4 |
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1+0 |
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9 |
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4 |
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5 |
5 |
5 |
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1 |
1 |
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5 |
5 |
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2 |
1 |
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14 |
5 |
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3 |
1 |
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20 |
2 |
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4 |
1 |
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5 |
5 |
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5 |
1 |
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18 |
9 |
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6 |
1 |
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20 |
2 |
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7 |
1 |
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1 |
1 |
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8 |
1 |
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9 |
9 |
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9 |
1 |
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14 |
5 |
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10 |
1 |
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13 |
4 |
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11 |
1 |
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5 |
5 |
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12 |
1 |
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14 |
5 |
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13 |
1 |
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20 |
2 |
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5+9 |
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1+3 |
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1+5+8 |
5+9 |
5+9 |
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3+0 |
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1+0 |
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9 |
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4 |
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14 |
14 |
14 |
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1+4 |
1+4 |
1+4 |
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1+0 |
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9 |
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4 |
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5 |
5 |
5 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 6 = 30
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 6 = 30
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
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7 |
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1 |
1 |
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3 |
1 |
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20 |
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6 |
1 |
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20 |
2 |
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13 |
1 |
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10 |
1 |
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13 |
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1 |
1 |
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5 |
5 |
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2 |
1 |
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14 |
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4 |
1 |
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5 |
5 |
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9 |
1 |
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14 |
5 |
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11 |
1 |
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5 |
5 |
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12 |
1 |
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14 |
5 |
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5 |
1 |
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18 |
9 |
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8 |
1 |
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9 |
9 |
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5+9 |
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1+3 |
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1+5+8 |
5+9 |
5+9 |
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3+0 |
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1+0 |
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9 |
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4 |
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14 |
14 |
14 |
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1+4 |
1+4 |
1+4 |
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1+0 |
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9 |
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4 |
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5 |
5 |
5 |
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THE CALENDAR
1
999
Page 26
"The Mayas multiplied the baktun 13 to get what they termed a Great Cycle"
equal to 5,130 years.
At the same end of a great cycle, the Maya, Aztecs, and other Mesoamerican
peoples believed all things would cease to exist and an entirely new world
would be ushered in to'start the next great / Page 27 / cycle. The current
great cycle probably began in 3114
BC and will end on 23 December
2012.
Presumably the Maya discovered the true solar year using natural cues and
careful astronomic observations, though exactly how they did it remains a
puzzle. Until recently scholars-believed, their motivation was a.literal
worship of time, though new- interpretations since the breaking of the Maya language code reveal that
the Maya actually used their
calendars to legitimize the acts of kings and other key events by
recording with great accuracy the day, hour, and even minute when they
occurred. This is shown in countless hieroglyphics, steles and paintings
depicting the exact date when specific kings and, queens waged battle,
ceremonially mutilated themselves, married and performed important
sacrifices.
Maya and other Mesoamerican gods also seem to
have demanded that their priests perform ceremonies precisely on time.
Nowhere was this taken'more seriously - and to such a bizarre extreme
than among the Aztecs. Obsessed with the belief that they must keep time on its proper course,
the Aztecs offered a numbing
progression of human sacrifices to appease their sun god, Tonatiuh, to assure that he
would rise each day and cross the sky.
The Aztecs believed that the sun
required, for, 'fuel' rivers ot blood from victims who ranged from priests
and criminals to the deformed, though most were prisoners captured in
warfare. If Spanish chroniclers can be believed, the Aztecs sacrificed 20,000 to 50,000 people a year in their
capital, Tenochtitlan, with
each month requiring a prescribed tally of victims: male and female, child and
adult. For iristance, in the months when the rains were
supposed to come, children were drowned or walled up in caves. The more they wept and cried,
the better the omen for rain. Others were flayed to help crops grow and
burned to death during harvest time. To feed the need for such huge
numbers of victims, / Page 28 / the Aztecs arranged a peculiar agreement with their
neighbours to fight regular ceremonial battles not for conquest, but to
allow each side to capture large quantities of sacrificial victims. Apparently most of the victims
seized in what was called the War of Flowers considered sacrifice an honour or an unquestionable act of fate.
Most were anaesthetized first with narcotic plants, though all were left
conscious enough to scream and exhibit pain, which was part of this
bloodiest of time rituals."
6 |
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75 |
21 |
3 |
5 |
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55 |
19 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
TONATIUH |
108 |
36 |
9 |
12 |
TENOCHTITLAN |
141 |
51 |
6 |
Page 27
"Obsessed with the belief that they must keep
time on its proper course, the Aztecs offered a numbing progression of human sacrifices to
appease their sun god,
Tonatiuh, to assure that he would rise each day and cross
the sky."
8 |
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I |
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H |
- |
- |
- |
- |
- |
- |
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+ |
= |
108 |
1+0+8 |
= |
9 |
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3 |
8 |
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- |
+ |
= |
1 |
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1 |
- |
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- |
- |
- |
2 |
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- |
- |
+ |
= |
4 |
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4 |
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+ |
= |
3 |
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3 |
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+ |
= |
5 |
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5 |
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- |
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+ |
= |
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- |
- |
- |
- |
- |
- |
- |
- |
8 |
+ |
= |
8 |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
+ |
= |
9 |
- |
- |
9 |
8 |
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I |
U |
H |
- |
- |
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= |
1 |
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= |
4 |
3 |
occurs |
x |
1 |
= |
3 |
5 |
occurs |
x |
1 |
= |
5 |
6 |
occurs |
x |
1 |
= |
6 |
8 |
occurs |
x |
1 |
= |
8 |
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= |
9 |
34 |
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36 |
3+4 |
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3+6 |
7 |
- |
- |
- |
- |
9 |
TONATIUH 9 9 TONATIUM
Page 27
"Obsessed with the belief that they must keep
time on its proper course, the Aztecs offered a numbing progression of human sacrifices to
appease their sun god,
Tonatiuh, to assure that he would rise each day and cross
the sky."
MAN EATING HIS OWN EYES 1977
7 |
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- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
- |
I |
9 |
9 |
9 |
- |
N+B+O+W |
54 |
18 |
9 |
8 |
COVENANT |
- |
- |
- |
- |
C+O |
18 |
9 |
9 |
- |
V+E |
27 |
9 |
9 |
- |
N+A+N+T |
49 |
13 |
4 |
15 |
RAINBOW COVENANT |
176 |
68 |
50 |
1+5 |
- |
1+7+6 |
6+8 |
5+0 |
6 |
RAINBOW COVENANT |
14 |
14 |
5 |
- |
- |
1+4 |
1+4 |
- |
6 |
RAINBOW COVENANT |
5 |
5 |
5 |
THE NYMPH ECHO 1972
5 |
|
56 |
20 |
2 |
4 |
|
36 |
18 |
9 |
2 |
TO |
35 |
8 |
8 |
2 |
ME |
18 |
9 |
9 |
12 |
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|
- |
T |
20 |
2 |
2 |
- |
I |
9 |
9 |
9 |
- |
M+E |
18 |
9 |
9 |
- |
L+E+S |
36 |
18 |
9 |
- |
S+N+E+S+S |
76 |
13 |
4 |
12 |
TIMELESSNESS |
159 |
51 |
33 |
1+2 |
- |
1+5+9 |
5+1 |
3+3 |
3 |
- |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
3 |
TIMELESSNESS |
6 |
6 |
6 |
THE JOURNEY MAN 1977
THE JOURNEY WOMAN 1978
THE JOURNEY
THE JOURNEY MAN 1977 MAN 1977
THE JOURNEY WOMAN 1978
TABLE, GOOD, EVIL |
TABLE, GOOD, BAD |
TABLE, QUMRAN, QUM, R, AN QUMRAN |
TABLE, HABAKKUK, HA, BA, KKUK, HABAKKUK |
TABLE, LIGHT, GOODNESS |
TABLE, DARK, BADNESS |
TABLE, LIGHT + GOODNESS, DARK + BADNESS |
TABLE, MESSIAH, ME, SS, I, AH, MESSIAH |
TABLE, MESSIAH, JESUS |
TABLE, MESSIAH, CHRIST JESUS |
TABLE, COMMUNION, CO, MMUN, I, ON, COMMUNION |
TABLE, LABYRINTH |
TABLE, LABYRINTHS, MYSTERIES |
TABLE, MAZE, MAZES |
TABLE, LABYRINTHINE |
TABLE, HADES, HAD, ESCAPED |
TABLE, HADES, HA, DE, S, HADES |
TABLE, NUIT, ISIS, RA |
TABLE, VAGINA, PENIS, |
TABLE, COCK, CUNT |
TABLE, LOVE, HATE, HE, ATE |
TABLE, HATE, HE, AT, HATE |
TABLE, LOVE, HATE |
TABLE, MALE, PRINCIPLE |
TABLE, FEMALE, PRINCIPLE |
TABLE, FEMALE PRINCIPLE, MALE PRINCIPLE |
TABLE, MALE, FEMALE, ANDROGYNOUS |
TABLE, EMOTION, EM, OT, I, ON, EMOTION |
TABLE, NERVOUS, SYSTEM |
TABLE, CENTRAL, AUTOMATIC, SYMPATHETIC, PARA |
TABLE, SYSTEM, SYSTEMS |
TABLE, CENTRAL NERVOUS SYSTEM, AUTOMATIC NERVOUS SYSTEM , AUTONOMIC NERVOUS SYSTEM, AUTONOMIC |
TABLE, CEREBRAL, CORTEX |
TABLE, NEO, CORTEX |
TABLE, IDEA, IDEAS |
TABLE, EYE, D, DEAR |
TABLE, IDEA, I, DEA, IDEA |
TABLE, THE, INBETWEEN |
TABLE, THE, ETERNAL, INBETWEEN |
TABLE, BETWEEN |
TABLE, HE, SHE |
TABLE, MAN, WOMAN |
TABLE, MEN, WOMEN |
TABLE, MALE, FEMALE |
TABLE, FEMININE, MASCULINE |
TABLE, FORTY NINE |
TABLE, FEMININE + MASCULINE, MALE + FEMALE |
TABLE, FORTY NINE, FO, R, TY, N, I, NE, FORTY NINE |
TABLE, I, COMMAND |
TABLE, COMMAND, CO, MMA, ND, COMMAND |
TABLE, YOU |
TABLE, NONE, NO, ONE |
TABLE, NO, KNOW, NOW |
TABLE, STATE, TASTE, TATES |
TABLE, RA, HORUS, HAWK |
TABLE, MANNA |
TABLE, CENTRIFUGAL FORCE |
RACIAL MEMORY 1980
FIRST CONTACT 1980
GREETINGS CITIZENS OF PLANET EARTH
I
HAVE
A
MESSAGE
DIVINE LOVE
ADVENT 2296 ADVENT
4 |
|
41 |
23 |
5 |
4 |
|
48 |
21 |
3 |
8 |
- |
89 |
44 |
8 |
|
|
8+9 |
4+4 |
- |
|
|
17 |
8 |
8 |
- |
- |
1+7 |
- |
- |
8 |
|
8 |
8 |
8 |
4 |
|
41 |
23 |
5 |
3 |
|
7 |
7 |
7 |
7 |
- |
48 |
30 |
12 |
|
|
4+8 |
3+0 |
1+2 |
|
|
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
7 |
|
3 |
3 |
3 |
THE GOD COLLAR
CLERIC = 50 - 32 - 5
CIRCLE = 50 - 32 - 5
7 |
|
|
|
|
- |
Q+U+M |
51 |
15 |
6 |
- |
R |
18 |
9 |
9 |
- |
A+N |
15 |
6 |
6 |
6 |
QUMRAN |
84 |
30 |
21 |
- |
- |
8+4 |
3+0 |
2+1 |
|
- |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
6 |
QUMRAN |
3 |
3 |
3 |
7 |
|
|
|
|
- |
H+A |
9 |
9 |
9 |
- |
B+A |
3 |
3 |
3 |
- |
K+K+U+K |
54 |
9 |
9 |
8 |
HABAKKUK |
66 |
21 |
21 |
- |
- |
6+6 |
2+1 |
2+1 |
|
- |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
8 |
HABBAKKUK |
3 |
3 |
3 |
13 |
LIGHT + GOODNESS |
154 |
64 |
1 |
11 |
|
64 |
19 |
1 |
24 |
- |
252 |
99 |
9 |
|
|
2+5+2 |
9+9 |
- |
|
|
9 |
18 |
9 |
- |
- |
- |
1+8 |
- |
6 |
|
9 |
9 |
9 |
11 |
|
|
|
|
- |
M+E |
18 |
9 |
9 |
- |
S+S |
38 |
20 |
2 |
- |
I |
9 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
|
- |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
7 |
|
74 |
29 |
2 |
11 |
|
151 |
43 |
7 |
18 |
- |
225 |
72 |
9 |
|
|
2+2+5 |
7+2 |
- |
9 |
|
9 |
9 |
9 |
9 |
|
|
|
|
- |
C+O |
18 |
9 |
9 |
- |
M+M+U+N |
61 |
16 |
7 |
|
I |
9 |
9 |
9 |
- |
O+N |
29 |
11 |
2 |
9 |
COMMUNION |
117 |
45 |
27 |
- |
-` |
1+1+7 |
4+5 |
2+7 |
9 |
COMMUNION |
9 |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
-- |
- |
- |
|
|
|
|
|
- |
12 |
1 |
2 |
25 |
|
9 |
|
20 |
8 |
+ |
= |
109 |
1+0+9 |
= |
10 |
1+0 |
1 |
- |
3 |
1 |
2 |
7 |
|
9 |
|
2 |
8 |
+ |
= |
10 |
1+0 |
= |
1 |
- |
1 |
10 |
|
128 |
47 |
2 |
9 |
|
133 |
43 |
7 |
19 |
- |
261 |
90 |
9 |
|
|
2+6+1 |
9+0 |
- |
1 |
|
9 |
9 |
9 |
5 |
|
|
|
|
- |
HAD |
13 |
13 |
4 |
- |
ESCAPED |
53 |
26 |
8 |
5 |
|
|
|
|
- |
H+A |
9 |
9 |
9 |
- |
D+E |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
5 |
HADES |
37 |
28 |
19 |
- |
- |
3+7 |
2+8 |
1+9 |
|
- |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
5 |
HADES |
1 |
1 |
1 |
|
|
|
|
|
4 |
ISIS |
56 |
20 |
2 |
2 |
RA |
19 |
10 |
1 |
4 |
|
32 |
14 |
5 |
4 |
|
58 |
13 |
4 |
8 |
- |
90 |
27 |
9 |
|
|
9+0 |
2+7 |
- |
8 |
|
9 |
9 |
9 |
|
|
|
|
|
4 |
HATE |
34 |
16 |
7 |
2 |
HE |
13 |
13 |
4 |
3 |
ATE |
26 |
8 |
8 |
4 |
|
|
|
|
- |
HE |
13 |
13 |
4 |
- |
AT |
21 |
3 |
3 |
- |
HATE |
34 |
16 |
7 |
4 |
|
54 |
18 |
9 |
4 |
|
34 |
16 |
7 |
8 |
- |
88 |
34 |
16 |
|
|
8+8 |
3+4 |
1+6 |
|
|
16 |
7 |
7 |
- |
- |
1+6 |
- |
- |
8 |
|
7 |
7 |
7 |
4 |
|
31 |
13 |
4 |
9 |
|
102 |
57 |
3 |
13 |
- |
133 |
70 |
7 |
|
|
1+3+3 |
7+0 |
- |
4 |
|
7 |
7 |
7 |
THE GREAT PYRAMID OF GIZA
A |
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M |
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A |
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21 |
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18 |
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21 |
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2 |
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1 |
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1 |
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1 |
- |
2 |
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- |
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- |
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3 |
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4 |
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1 |
20 |
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18 |
1 |
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1 |
18 |
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21 |
20 |
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1 |
2 |
3 |
4 |
9 |
1 |
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1 |
9 |
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M |
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1 |
2 |
3 |
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9 |
1 |
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1 |
9 |
4 |
3 |
2 |
1 |
A |
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U |
M |
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A |
- |
A |
R |
M |
U |
T |
A |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
|
|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
|
|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
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|
|
|
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|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
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|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
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|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
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|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
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|
|
occurs |
x |
|
= |
|
- |
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|
occurs |
x |
|
= |
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|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
ATUM QUANTUM ATOM
|
|
|
|
6 |
RE ATUM |
- |
- |
- |
|
|
|
|
2 |
RE |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
1+0 |
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
RE ATUM |
60 |
24 |
24 |
|
|
|
|
- |
- |
6+0 |
2+4 |
2+4 |
|
|
|
|
6 |
RE ATUM |
6 |
6 |
6 |
|
|
|
|
- |
- |
1+1 |
- |
- |
|
|
|
|
6 |
RE ATUM |
6 |
6 |
6 |
ATUM RA
6 |
|
42 |
24 |
6 |
9 |
|
102 |
57 |
3 |
15 |
- |
144 |
81 |
9 |
|
|
1+4+4 |
8+1 |
- |
6 |
|
9 |
9 |
9 |
4 |
|
|
|
|
6 |
FEMALE |
42 |
24 |
6 |
11 |
ANDROGYNOUS |
153 |
54 |
9 |
7 |
|
|
|
|
2 |
E+M |
18 |
9 |
9 |
2 |
O+T |
32 |
8 |
8 |
1 |
I |
9 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
7 |
EMOTION |
91 |
37 |
28 |
- |
- |
9+1 |
3+7 |
2+8 |
|
- |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
7 |
EMOTION |
1 |
1 |
1 |
|
|
|
|
|
9 |
AUTOMATIC |
103 |
31 |
4 |
11 |
SYMPATHETIC |
139 |
49 |
4 |
4 |
PARA |
36 |
18 |
9 |
|
|
|
|
|
22 |
AUTOMATIC NERVOUS SYSTEM |
318 |
84 |
3 |
22 |
AUTONOMIC NERVOUS SYSTEM |
326 |
92 |
2 |
9 |
AUTONOMIC |
111 |
39 |
3 |
3 |
|
34 |
16 |
7 |
6 |
|
85 |
31 |
4 |
9 |
- |
119 |
47 |
11 |
|
|
1+1+9 |
4+7 |
1+1 |
|
|
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
9 |
|
2 |
2 |
2 |
3 |
|
35 |
17 |
8 |
1 |
|
4 |
4 |
4 |
3 |
EAR |
24 |
15 |
6 |
7 |
EAR |
63 |
36 |
18 |
|
|
6+3 |
3+6 |
1+8 |
7 |
|
9 |
9 |
9 |
4 |
|
|
|
|
- |
I |
9 |
9 |
9 |
- |
D+E+A |
28 |
10 |
1 |
4 |
IDEA |
37 |
19 |
10 |
- |
- |
3+7 |
1+9 |
1+0 |
|
- |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
4 |
IDEA |
1 |
1 |
1 |
3 |
|
33 |
15 |
6 |
9 |
|
97 |
43 |
7 |
12 |
- |
130 |
58 |
13 |
|
|
1+3+0 |
5+8 |
1+3 |
|
|
4 |
13 |
4 |
- |
- |
- |
1+3 |
- |
3 |
|
4 |
4 |
4 |
|
|
|
|
|
7 |
ETERNAL |
75 |
30 |
3 |
9 |
INBETWEEN |
97 |
43 |
7 |
2 |
|
13 |
13 |
4 |
3 |
|
32 |
14 |
5 |
5 |
- |
45 |
27 |
9 |
|
|
4+5 |
2+7 |
- |
5 |
|
9 |
9 |
9 |
3 |
|
28 |
10 |
1 |
5 |
|
66 |
21 |
3 |
8 |
- |
94 |
31 |
4 |
|
|
9+4 |
3+1 |
- |
|
|
13 |
4 |
4 |
- |
- |
1+3 |
- |
- |
8 |
|
4 |
4 |
4 |
3 |
|
32 |
14 |
5 |
5 |
|
70 |
25 |
7 |
8 |
- |
102 |
39 |
12 |
|
|
1+0+2 |
3+9 |
1+2 |
|
|
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
8 |
|
3 |
3 |
3 |
1+
4 |
|
31 |
13 |
4 |
6 |
|
42 |
24 |
6 |
10 |
- |
73 |
37 |
10 |
|
|
7+3 |
3+7 |
1+0 |
|
|
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
1 |
|
1 |
1 |
1 |
1+
8 |
|
75 |
48 |
3 |
9 |
|
97 |
34 |
7 |
17 |
- |
172 |
82 |
10 |
|
|
1+7+2 |
8+2 |
1+0 |
|
|
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
8 |
|
1 |
1 |
1 |
9 |
|
|
|
|
- |
F+O |
21 |
12 |
3 |
R |
R |
18 |
9 |
9 |
- |
T+Y |
45 |
9 |
9 |
|
N |
14 |
5 |
5 |
|
I |
9 |
9 |
9 |
|
N+E |
19 |
10 |
1 |
9 |
FORTY NINE |
126 |
54 |
36 |
- |
- |
1+2+6 |
5+4 |
3+6 |
9 |
FORTY NINE |
9 |
9 |
9 |
|
|
|
|
|
- |
C+O |
18 |
9 |
9 |
R |
M+M+A |
27 |
9 |
9 |
- |
N+D |
18 |
9 |
9 |
7 |
COMMAND |
63 |
27 |
27 |
- |
- |
6+3 |
2+7 |
2+7 |
7 |
COMMAND |
9 |
9 |
9 |
4 |
|
|
|
|
2 |
NO |
29 |
11 |
2 |
3 |
ONE |
34 |
16 |
7 |
2 |
|
|
|
|
4 |
KNOW |
63 |
18 |
9 |
3 |
NOW |
52 |
16 |
7 |
5 |
|
|
|
|
5 |
TASTE |
65 |
11 |
2 |
5 |
TATES |
65 |
11 |
2 |
2 |
|
|
|
|
5 |
HORUS |
81 |
27 |
9 |
4 |
HAWK |
43 |
16 |
7 |
11 |
|
116 |
53 |
8 |
5 |
|
47 |
29 |
2 |
16 |
- |
163 |
82 |
10 |
|
|
1+6+3 |
8+2 |
1+0 |
|
|
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
7 |
|
1 |
1 |
1 |
QUO VADIS
180 - 36 - 9
QUO VADIS
WHITHER GOEST THOU
WHO ARE YOU
WHEN YOUR ALL THERE
ME
?
IM DENISON FROM THE IM DENISON
DIMENSION
MIND MATTER MIND
REACTIVE CREATIVE REACTIVE
CREATION REACTION CREATION
REAL REALITY REVEALED
THE
MEANING
OF
LIFE
THE PROVING OF GODS
IMMORTAL
CREATOR
SPIRIT
OF
UNIVERSAL MIND
OF
COSMIC CONSCIOUSNESS
THAT THAT THAT
LIFE
IS
THE UNIVERSAL LIFE FORCE THAT IS QUALITATIVELY THE SAME IN EVERY UNIQUE EMANATION OF LIVING
FORM REGARDLESS, AND CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING
FORM WITHIN WHICH AN INDIVIDUAL LIFE ITSELF IS BIRTHED INTO BEING
LIFE THE CREATIVE METAMORPHOSIS
HEARKEN THE LIVING CREATIVITY SEEN IN NATURE, WHEREIN THEREIN CAN BE OBSERVED WITHIN THE
HERE AND NOW OF PLANET EARTH, THE EVOCATION INTO LIFE OF A TOTAL COLLECTIVE CREATIVE
INTELLIGENCE SHOWN IN ALL ITS GLORY TO BE EXPRESSING THE SAME INGENIOUS PROBLEM SOLVING
INSTINCTS NECESSARY FOR ITS SURVIVAL IN SINGULAR OR MULTIVARIOUS FORMS, AND WHICH IS
APPARENT IN ALL LIVING CREATURES INCLUDING THAT OF SELF SACRIFICE, AS AND WHEN SUCH MOMENT
ARRIVES. THIS COLLECTIVE CREATIVE INTELLIGENCE PERMEATES HERE THERE AND EVERYWHERE,
HOWEVER MADE MANIFEST, SPRINGING FORTH AS SO CALLED PRIMITIVE LIFE FORMS, OR AS MORE
COMPLEX LIFE, EXPRESSED IN HUMANKIND OR ANY OTHER KIND OF KIND, ALL ACTIVATED AND MOTIVATED
BY THAT SUPREME LIFE BEQUEATHING INTELLIGENT CREATIVE CONSCIOUSNESS, THE UNIVERSAL LIFE
FORCE THAT IS QUALITATIVELY THE SAME IN EVERY UNIQUE EMANATION OF LIFE ETERNAL,
CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING FORM WITHIN WHICH INDIVIDUAL
LIFE ITSELF IS BIRTHED INTO BEING. A COMMON INTELLIGENT CREATIVE METAMORPHOSIS AS WONDERFUL
AND MESMERISING IN EACH AND EVERY WAY, AS IS ANY OTHER VARIETIES ALL BEYOND COMPARE,
A UNIVERSAL CREATOR CONSCIOUSNESS MAGNIFICENTLY SPREAD THROUGHOUT CREATION ITSELF,
REGARDLESS OF OCCASION. INSPIRED FROM OUT THE IN OF ITS IMMORTAL LIVING CREATIVE POWER. THE
LIFE FULFILLING SPIRIT BIRTHING ITSELF WITHIN THE UNFOLDING CYCLE OF ITS ENDLESS LIVING FOREVER.
LIFE THE CREATIVE METAMORPHOSIS
THE UNIVERSAL LIFE FORCE THAT IS QUALITATIVELY THE SAME IN EVERY UNIQUE EMANATION OF LIVING
FORM REGARDLESS, AND CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING
FORM WITHIN WHICH AN INDIVIDUAL LIFE ITSELF IS BIRTHED INTO BEING
EINSTEIN VERSUS ?????????
A THIMBLE OF WATER, AN EGG CUP OF, A JUG OF, A POOL OF, A RIVER OF, A SEA OF, A UNIVERSE OF.
WATER WATER EVERYWHERE AND NOT A DROP TO THINK
?
LIFE THE CREATIVE METAMORPHOSIS
EHT NAMUH 1973
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
REAL REALITY REVEALED
I
SAY
HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
YET
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS
MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
ALL
LIFE
WHEN
BORN INTO THE REALITY OF PLANET EARTH
INCURS
AN
INDETERMINATE
SENTENCE OF LIFE IMPRISONMENT WITHIN THE FORM IN WHICH IT HAS BECOME MANIFEST
TILL
DEATH US DO PART
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
- |
- |
1+9 |
- |
2+6 |
|
3+0+3 |
1+5+0 |
1+5 |
- |
- |
10 |
|
8 |
SENTENCE OF LIFE IMPRISONMENT |
6 |
6 |
6 |
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OF |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LIFE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
|
16 |
LIFE |
88 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IMPRISONMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
|
16 |
IMPRISONMENT |
88 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
|
|
|
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
4+5 |
2+4 |
|
|
3+6 |
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
2+6 |
|
3+0+3 |
1+5+0 |
1+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
|
8 |
SENTENCE OF LIFE IMPRISONMENT |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
|
16 |
IMPRISONMENT |
88 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
|
|
|
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
4+5 |
2+4 |
|
|
3+6 |
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
2+6 |
|
3+0+3 |
1+5+0 |
1+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
|
8 |
SENTENCE OF LIFE IMPRISONMENT |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 9 = 45
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 9 = 45
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
|
16 |
IMPRISONMENT |
88 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
|
|
|
- |
- |
- |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
- |
- |
- |
|
|
|
|
|
4+5 |
2+4 |
|
|
3+6 |
S |
= |
1 |
- |
8 |
SENTENCE |
85 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
IMPRISONMENT |
165 |
75 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
- |
28 |
SENTENCE OF LIFE IMPRISONMENT |
303 |
150 |
15 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+9 |
- |
2+6 |
|
3+0+3 |
1+5+0 |
1+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
|
8 |
SENTENCE OF LIFE IMPRISONMENT |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
ARTIFICIAL INTELLIGENCE
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
- |
- |
1+4 |
- |
2+2 |
|
2+0+3 |
1+1+3 |
1+4 |
- |
- |
4 |
|
4 |
ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ARTIFICIAL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
|
16 |
ARTIFICIAL |
88 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
INTELLIGENC |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
|
16 |
INTELLIGENC |
115 |
61 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
25 |
|
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
1+5 |
|
2+5 |
|
|
|
5+4 |
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
- |
2+2 |
|
2+0+3 |
1+1+3 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
|
4 |
ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
25 |
|
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
1+5 |
|
2+5 |
|
|
|
5+4 |
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
- |
2+2 |
|
2+0+3 |
1+1+3 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
|
4 |
ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
25 |
|
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
1+5 |
|
2+5 |
|
|
|
5+4 |
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+4 |
- |
2+2 |
|
2+0+3 |
1+1+3 |
1+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
|
4 |
ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
25 |
|
|
|
- |
- |
- |
- |
28 |
ARTIFICIAL INTELLIGENCE |
- |
- |
- |
|
|
|
1+5 |
2+5 |
|
|
5+4 |
A |
= |
5 |
- |
10 |
ARTIFICIAL |
88 |
52 |
7 |
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
|
|
|
- |
- |
14 |
- |
22 |
ARTIFICIAL INTELLIGENCE |
203 |
113 |
14 |
|
|
|
|
|
|
|
|
- |
- |
1+4 |
- |
2+2 |
|
2+0+3 |
1+1+3 |
1+4 |
|
|
|
|
|
|
|
|
- |
- |
4 |
|
4 |
ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
B |
|
|
|
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
3 |
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
|
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
|
|
1+0+0 |
4+6 |
3+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
|
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
3 |
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
E |
|
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
P |
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
|
|
1+0+0 |
4+6 |
3+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
B |
|
|
|
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
L |
|
3 |
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
E |
|
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
O |
|
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
P |
|
|
|
1 |
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
|
|
1+0+0 |
4+6 |
3+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
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|
|
|
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|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
|
25 |
|
7 |
|
|
|
|
4+0 |
|
|
|
9+4 |
4+9 |
4+0 |
|
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
|
25 |
|
7 |
|
|
|
|
4+0 |
|
|
|
9+4 |
4+9 |
4+0 |
|
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
5 |
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
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|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
3 |
3 |
|
|
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|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
|
25 |
|
7 |
|
|
|
|
4+0 |
|
|
|
9+4 |
4+9 |
4+0 |
|
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
|
|
1+3 |
1+3 |
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|
|
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|
|
|
|
|
|
|
|
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|
4 |
4 |
5 |
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|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
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|
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|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
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|
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|
7 |
1 |
|
14 |
5 |
|
|
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|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
49 |
40 |
|
|
|
|
25 |
|
|
|
4+0 |
|
|
|
9+4 |
4+9 |
4+0 |
|
|
|
|
2+5 |
|
|
|
|
|
|
|
13 |
13 |
4 |
|
|
|
|
|
|
|
|
4+0 |
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
5 |
|
|
|
|
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|
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
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|
3 |
|
33 |
15 |
|
|
|
|
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|
|
|
|
|
|
|
|
5 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
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|
|
|
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|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
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|
2 |
|
23 |
14 |
|
|
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|
|
3 |
|
26 |
17 |
|
|
|
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|
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|
2 |
|
5 |
|
37 |
28 |
|
|
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|
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First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
3+2 |
Add to Reduce |
2+9+7 |
1+8+9 |
3+6 |
|
|
|
|
|
|
|
|
1+6 |
|
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|
|
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|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Add to Reduce |
1+8 |
1+8 |
|
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|
Essence of Number |
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SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
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1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
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|
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES S
THE 5FIVES THE 5FIVES THE 5FIVES
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
1 2 3 4 5 6 7 8 9 10 11 12 13 1+4 15 16 17 18 19 20 21 22 2+3 24 25 26
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
TEN ELEVEN TWELVE THIRTEEN FOURTEEN
FIFTEEN SIXTEEN SEVENTEEN EIGHTEEN
NINETEEN TWENTY TWENTYONE TWENTYTWO
TWENTYTHREE FOUR TWENTYFIVE TWENTYSIX
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
TEN ELEVEN TWELVE THIRTEEN FOURTEEN FIFTEEN SIXTEEN SEVETEEN EIGHTEEN
TEN ELEVEN TWELVE THIRTEEN FOURTEEN
FIFTEEN SIXTEEN SEVENTEEN EIGHTEEN
TEN ELEVEN TWELVE THIRTEEN FOURTEEN FIFTEEN SIXTEEN SEVETEEN EIGHTEEN
T55 5L5V55T55LV5 THIRT555 FOURT555 FIFT555
SIXT555S5V55T555 EIGHT555
TEN ELEVEN TWELVE THIRTEEN FOURTEEN FIFTEEN SIXTEEN SEVETEEN EIGHTEEN
NINETEEN TWENTY TWENTYONE TWENTYTWO TWENTYTHREE
TWENTYFOUR TWENTYFIVE TWENTYSIX
NINETEEN TWENTY TWENTYONE TWENTYTWO
TWENTYTHREE TWENTYFOUR TWENTYFIVE TWENTYSIX
NINETEEN TWENTY TWENTYONE TWENTYTWO TWENTYTHREE
NINETEEN TWENTY TWENTYONE TWENTYTWO TWENTYTHREE
5I55T555 T555TY T555TYO55 T555 TYT5O T555TYTHR55
TWENTYFOUR TWENTYFIVE TWENTYSIX
T555TYFOUR T555TYFIV5 T555TYSIX
NINETEEN TWENTY TWENTYONE TWENTYTWO TWENTY THREE
TWENTYFOUR TWENTYFIVE TWENTYSIX
LOOK AT THE 5FIVES LOOK AT THE 5FIVESLOOK AT THE 5FIVES
LOOK AT THE BLEEDING 5FIVES
|
MIND MATTER MIND
REACTIVE CREATIVE REACTIVE
CREATION REACTION CREATION
REAL REALITY REVEALED
THE
MEANING
OF
LIFE
THE PROVING OF GODS
IMMORTAL
CREATOR
SPIRIT
THE
UNIVERSAL MIND
OF
COSMIC CONSCIOUSNESS
THAT THAT THAT
LIFE
IS
THE UNIVERSAL LIFE FORCE THAT IS QUALITATIVELY THE SAME IN EVERY...... UNIQUE EMANATION OF LIVING FORM REGARDLESS, AND CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING FORM WITHIN WHICH ANINDVIDUAL LIFE ITSELF IS BIRTHED INTO BEING
LIFE THE CREATIVE METAMORPHOSIS
HEARKEN THE LIVING CREATIVITY SEEN IN NATURE, WHEREIN THEREIN CAN BE OBSERVED WITHIN THE HERE AND NOW OF PLANET EARTH, THE EVOCATION INTO LIFE OF A TOTAL COLLECTIVE CREATIVE INTELLIGENCE SHOWN IN ALL ITS GLORY TO BE EXPRESSING THE SAME INGENIOUS PROBLEM SOLVINGINSTINCTS NECESSARY FOR ITS SURVIVAL IN SINGULAR OR MULTIVARIOUS FORMS, AND WHICH IS APPARENT IN ALL LIVING CREATURES INCLUDING THAT OF SELF SACRIFICE AS AND WHEN SUCH MOMENT ARRIVES. THIS COLLECTIVE CREATIVE INTELLIGENCE PERMEATES HERE THERE AND EVERYWHERE,HOWEVER MADE MANIFEST SPRINGING FORTH AS SO CALLED PRIMITIVE LIFE FORMS, OR AS MORE COMPLEX LIFE, EXPRESSED IN HUMANKIND OR ANY OTHER KIND OF KIND, ALL ACTIVATED AND MOTIVATED BY THAT SUPREME LIFE BEQUEATHING INTELLIGENT CREATIVE CONSCIOUSNESS, THE UNIVERSAL LIFE FORCE THAT IS QUALITATIVELY THE SAME IN EVERY UNIQUE EMANATION OF LIFE ETERNAL.
CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING FORM WITHIN WHICH INDIVIDUAL LIFE ITSELF IS BIRTHED INTO BEING. A COMMON INTELLIGENT CREATIVE METAMORPHOSIS AS WONDERFUL AND MESMERISING IIN EACH AND EVERY WAY, AS IS ANY OTHER VARIETIES ALL BEYOND COMPARE,
A UNIVERSAL CREATOR CONSCIOUSNESS MAGNIFICENTLY SPREAD THROUGHOUT CREATION ITSELF, REGARDLESS OF OCCASION. INSPIRED FROM OUT THE IN OF ITS IMMORTAL LIVING CREATIVE POWER. THE LIFE FULFILLING SPIRIT BIRTHING ITSELF WITHIN THE UNFOLDING CYCLE OF AN ENDLESS LIVING FOREVER.
LIFE THE CREATIVE METAMORPHOSIS
THE UNIVERSAL LIFE FORCE THAT IS QUALITATIVELY THE SAME IN EVERY UNIQUE EMANATION OF LIVING FORM REGARDLESS, AND CIRCUMSCRIBED ONLY BY THE LIMITATIONS IMPOSED UPON ITS LIVING FORM WITHIN WHICH SUCH AN INDIVIDUAL LIFE ITSELF IS BIRTHED INTO BEING
EINSTEIN VERSUS ?????????
A THIMBLE OF WATER, AN EGG CUP OF, A JUG OF, A POOL OF,
A RIVER OF, A SEA OF, A UNIVERSE OF.
WATER WATER EVERYWHERE AND NOT A DROP TO THINK
?
LIFE THE CREATIVE METAMORPHOSIS
|
MEASURE FOR MEASURE
THE
BA;LANCING
V
- |
1 |
2 |
3 |
5 |
5 |
6 |
7 |
8 |
9 |
- |
- |
= |
= |
= |
= |
5 |
= |
= |
= |
= |
- |
- |
ONE |
TWO |
THREE |
FOUR |
FIVE |
SIX |
SEVEN |
EIGHT |
NINE |
- |
= |
= |
= |
= |
= |
5 |
= |
= |
= |
= |
= |
= |
1 |
2 |
3 |
5 |
5 |
6 |
7 |
8 |
9 |
- |
V
5
1234 BALANCE 6789
5
V
- |
1 |
2 |
3 |
5 |
5 |
6 |
7 |
8 |
9 |
- |
- |
= |
= |
= |
= |
5 |
= |
= |
= |
= |
- |
- |
ONE |
TWO |
THREE |
FOUR |
FIVE |
SIX |
SEVEN |
EIGHT |
NINE |
- |
= |
= |
= |
= |
= |
5 |
= |
= |
= |
= |
= |
= |
1 |
2 |
3 |
5 |
5 |
6 |
7 |
8 |
9 |
- |
V
5
ONE TWO THRE FOUR = 1 BALANCE 1 = SIX SEVEN EIGHT NINE
5
V
1234 5 6789
THE FULCRUM OF THE BALANCES IN THE NINE DIGITS
IS
NUMBER
5
THE FULCRUM OF THE BALANCES IN THE 9 WORDS
1 = ONE TWO THREE FOUR (5FIVE5) SIX SEVEN EIGHT NINE = 1
IS FIVE IS
CIRCLE
IS 50 IS
IS 5 FIVE 5 IS
SHE RESTS IN BEAUTY LIKE THE NIGHT 1972
CONCEPTION 1972
CONCEPTION 1973
CONCEPTION 1972
MEMORIES OF HYPATIA 1973
ROCKABYE BABY COME UNTO ME 1973
THE BIRTHING 1971
'
YOU LOOK LIKE ME AND I LIKE YOU 1975
YOU LOOK LIKE ME AND I LOOK LIKE YOU!
NOW THERES A SUPRISE. 1985
THE RISING OF THE BEAST 1962
I AM BECOME. 1971
HALT WHO GOES THERE 1969
APARTHEID APART HIDE1969
THE BACCHUS 1970
THE LOTUS POSITION 1972
MOTHER AND CHILD 1968
I THAT AM THAT I THAT AM 1970
I WILL KEEP AN EYE OPEN FOR YOU
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
A MAN MAY BE BORN BUT IN ORDER TO BE BORN HE MUST FIRST DIE AND IN ORDER TO DIE
HE MUST FIRST AWAKE WHEN A MAN AWAKES HE CAN DIE WHEN HE DIES HE CAN BE BORN
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
|
4 |
- |
3 |
MAN |
28 |
10 |
1 |
M |
|
4 |
- |
3 |
MAY |
39 |
12 |
3 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
B |
|
2 |
- |
3 |
BUT |
43 |
7 |
7 |
I |
|
9 |
- |
2 |
IN |
23 |
14 |
5 |
O |
|
6 |
- |
5 |
ORDER |
60 |
33 |
6 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
M |
|
4 |
- |
4 |
MUST |
73 |
10 |
1 |
F |
|
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
A |
|
1 |
- |
3 |
AND |
19 |
10 |
1 |
I |
|
9 |
- |
2 |
IN |
23 |
14 |
5 |
O |
|
6 |
- |
5 |
ORDER |
60 |
33 |
6 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
M |
|
4 |
- |
4 |
MUST |
73 |
10 |
1 |
F |
|
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
A |
|
1 |
- |
5 |
AWAKE |
41 |
14 |
5 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
|
4 |
- |
3 |
MAN |
28 |
10 |
1 |
A |
|
1 |
- |
6 |
AWAKES |
60 |
15 |
6 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
D |
|
4 |
- |
4 |
DIES |
37 |
19 |
1 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
- |
- |
157 |
|
119 |
First Total |
|
|
|
- |
- |
1+5+7 |
|
1+1+9 |
Add to Reduce |
1+2+4+6 |
5+4+4 |
1+9+3 |
Q |
- |
13 |
|
|
Second Total |
13 |
13 |
13 |
- |
- |
1+3 |
|
1+1 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
|
|
Essence of Number |
|
|
|
RA THE SUN GOD
RE THE SUN GOD
RARE
HEART = R + HEAT = HEART
HEAR THE BEAT
THE POWER OF WORDS
THE SWORD OF WORDS
ALGORITHM
137699284
ALGORITHM
REARRANGED IN NUMERICAL ORDER ATLMOGHRI
ATLMOGHRI
123467899
LOOK AT THE 5'S LOOK AT THE 5'S LOOK AT THE MISSING 5'S
ATLM 5 OGHRI
THE 5'S AND 9'S HAVE IT
1234 5 67899
THE R IN EVOLUTION REVOLUTION
THE R IN ELEVATION REVELATION
RACIAL MEMORY 1972
RACIAL MEMORY 1972
At this most critical moment in the now of our passing. The Zed AlizZed took time out to address yon companies
goodly mix of striven souls. And in manner gentle, this incantation sold. Dearest of dear friends,
The GOD of the THAT, iz the GOD of MIND.
THAT MIND
hath always sparkling point with thee.
.THAT mind of thine, and THAT sparkle point of the THAT,
iz the number
NINE, and its dynastic progeny. NINE
iz the number of the THAT. Listen to the call of thy
GOD
Holy Bible
Scofield References
Jeremiah B.C. 590
Page 809 8 x 9 + 72 7 + 2 = 9
Chapter 33 Verse 3 x 33 = 99
"Call unto me, and I will answer thee, and shew thee great and mighty things which thou know-est not."
THE RECURRENT DREAM
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
Q
|
R
|
S
|
T
|
U
|
V
|
W
|
X
|
Y
|
Z
|
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
11
|
12
|
13
|
14
|
15
|
16
|
17
|
18
|
19
|
20
|
21
|
22
|
23
|
24
|
25
|
26
|
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
|
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
Q
|
R
|
S
|
T
|
U
|
V
|
W
|
X
|
Y
|
Z
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|
Again, the far yonder scribe watched in some amaze the Zed AliZed, in swift repeat scatter the nine numbers amongst the letters of their progress. At the throw of the ninth arm when in conjunction set, the far yonder scribe
made record of the fall.
A
|
+B
|
+C
|
+D
|
+E
|
+F
|
+G
|
+H
|
+I
|
+J
|
+K
|
+L
|
+M
|
+N
|
+O
|
+P
|
+Q
|
+R
|
+S
|
+T
|
+U
|
+V
|
+W
|
+X
|
+Y
|
+Z
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
11
|
12
|
13
|
14
|
15
|
16
|
17
|
18
|
19
|
20
|
21
|
22
|
23
|
24
|
25
|
26
|
+ - ÷ x
Added to all, minus none, shared by everybody, multiplied in abundance.
- |
GOOD |
- |
- |
- |
2 |
|
19 |
10 |
|
4 |
|
41 |
23 |
|
6 |
|
60 |
33 |
|
2 |
|
22 |
13 |
|
2 |
|
19 |
10 |
|
4 |
|
41 |
23 |
|
8 |
GOOD GO DO |
|
|
|
|
-` |
8+2 |
4+6 |
|
8 |
GOOD DO GO |
|
|
|
|
-` |
1+0 |
1+0 |
|
8 |
GOOD GO DO |
|
|
|
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
Page 250
"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS
OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY
TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE
HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE
SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED
THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
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1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
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2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
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3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
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|
5 |
|
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|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
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5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
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4 |
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6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
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7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
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3 |
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8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
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3 |
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9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
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45 |
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- |
- |
41 |
- |
54 |
Add |
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4+5 |
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4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
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9 |
- |
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Deduce |
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Reduce |
2+1 |
|
1+2 |
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9 |
- |
|
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Essence |
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
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9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
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7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
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3 |
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8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
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|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
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|
4 |
|
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|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
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|
|
|
5 |
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
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|
|
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
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|
45 |
|
- |
- |
41 |
- |
54 |
Add |
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|
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|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
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9 |
- |
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Deduce |
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|
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|
|
Reduce |
2+1 |
|
1+2 |
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|
9 |
- |
|
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|
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Essence |
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0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
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1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
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2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
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|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
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|
|
|
|
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|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
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|
|
|
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|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
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|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
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|
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|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
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|
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|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
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|
4 |
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|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
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|
45 |
|
- |
- |
42 |
- |
40 |
Add |
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4+5 |
|
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|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
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|
1+8 |
1+4 |
|
|
9 |
- |
|
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|
Deduce |
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
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3 |
|
5 |
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|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
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3 |
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5 |
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8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
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3 |
|
5 |
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8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
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3 |
|
5 |
|
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8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
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3 |
|
5 |
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|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
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3 |
|
5 |
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8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
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3 |
|
5 |
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|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
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3 |
|
5 |
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8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
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3 |
4 |
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
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|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
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|
|
1+8 |
1+4 |
|
|
9 |
- |
|
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|
Deduce |
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
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3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
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|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
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|
|
1+8 |
1+4 |
|
|
9 |
- |
|
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|
Deduce |
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
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|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
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|
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
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2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
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|
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
4 |
|
|
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
|
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|
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
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|
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
1+8 |
1+4 |
9 |
- |
|
|
|
|
|
Deduce |
|
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|
|
|
|
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
- |
|
|
|
|
|
1+2 |
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX666
999
O |
= |
15 |
- |
3 |
|
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
|
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
|
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Deduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
|
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
|
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
|
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS
ONE + TWO + THREE + FOUR = 208. 2+0+8 = 10 1+0 = 1
FIVE 5 FIVE
THE
BALANCING
FIVE 5 FIVE
SIX + SEVEN + EIGHT + NINE = 208. 2+0+8 = 10 1+0 = 1
1234 5 6789
ONE + TWO + THREE + FOUR = 208. 2+0+8 = 10 1+0 = 1
FIVE 5 FIVE
SIX + SEVEN + EIGHT + NINE = 208. 2+0+8 = 10 1+0 = 1
CIRCLE 50 CIRCLE
CIRCLE 32 CIRCLE
CIRCLE 5 CIRCLE
NUMBER = 534259 = 1 = 534259NUMBER
NUMBER = 234559 NUMBER
NUMBER = 534259 = 1 = 534259NUMBER
NUMBERS = 5342591 = 1 = 5342591NUMBERS
NUMBERS = 1234559 = NUMBER
NUMBERS = 5342591 = 1 = 5342591NUMBERS
Vedic Astrology and Numerology, ROHIT KR RAO
www.rohitkrrao.com/numerology.html
The history of numbers is as old as the recorded history of man. Numerology was in use in ancient Greece, Rome, Egypt, China and India and is to be found in ...
What are the Numbers?
The most familiar form of numbers are natural numbers 0, 1, 2, 3, 4 5, 6, 7, 8, 9.
The numbers 1 to 9 can be called as unit numbers and the numbers from 10 onwards (up to 99) can be called as double-digit numbers which denotes the fusion of two numbers however these can still be reduced to unit numbers, eg; 24 (2+4=6) is reduced to 6. Then, there are Master Numbers such as 11, 22, 33, 44 and so on which are never reduced to a unit number as they carry their own intensified vibration and potency.
Every number expresses its qualities in the form of strengths and challenges. Therefore, no number is good or bad, lucky or unlucky and auspicious or inauspicious as each and every number is equally necessary and important, and each gives strength to the next one and takes what it needs from the one before. Numbers have two aspects viz; exoteric or external and esoteric or inner. In a nut shell, every number possesses its own unique quality and power.
Our ancient seers believed that numbers symbolize divinity and however our mathematicians believed that study of numbers can possibly reveal the principles of creation and laws of time & space. Numbers can be seen as fundamental in art, poetry, architecture, music, and so on.
“The World is built upon the power of Numbers” ...Pythagoras – 6th century BC.
What is Numerology? top
The word Numerology comes from the Latin word "Numerus," which means number, and the Greek word "Logos," which means word, thought, and expression.
Numerology, based upon the sacred science of numbers, is an advanced offshoot of the melodious rhythm of the mathematical precision that controls all creation. It influences every aspect of our life unconsciously or consciously whether we are aware of this or not.
Numerology is the science and philosophy of numbers (1 to 9) where each numbers has its own strength, potential and challenge. The whole idea behind this is to know the hidden expression contained in these numbers so as to understand their relationship and progression in our numerology chart. This can help us in knowing the difficulties we may have experienced in the past or under present circumstances and then working towards doing some inner work in our life for bringing harmony, peace and joy.
The belief in Numerology is easier to understand when we put it into a context with realizing how the entire world revolves around numbers and mathematical equations.
What is the origin and history of Numerology?
The history of numbers is as old as the recorded history of man. Numerology was in use in ancient Greece, Rome, Egypt, China and India and is to be found in the ancient books of wisdom, such as the Hebrew Kabala. Most commonly used system for Numerology were developed by the Chaldeans, the Hindus, the Mayans, the Hebrews (Kabala), the Chinese (Book of Changes), and the work of Pythagoras, to name a few. The basic intent behind these systems originally was to understand the relationship between man and his god.
Pythagoras, the old master philosopher and mathematician, who lived in the sixth century BC, propounded the theory that nothing in the universe could exist without numbers. He established a Mystery School in Italy when he was 52 years old. He was born in Greece and lived between 582 and 507 BC, much of his life spent in study and travel. His Mystery School taught esoteric knowledge, which included the secret of number and vibration. The knowledge was passed down by word of mouth and a few manuscripts. The academic teaching rested on a foundation of Mathematics, Music and Astronomy. Much of Pythagoras' background in Egyptian philosophy and religion was based upon Number and Kabalistic principle. He postulated that the triangle was particularly important, as it was the first complete shape, and constituted a blueprint. Thus form is preceded by a blueprint, and each stage of this process is measured through numbers, hence nothing exists without numbers.
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
GLEN WILTSHIRE 1976
UNIVERSAL SOLDIER 1972
VIETNAM MADONNA 1970
THE HERMOPHRODITE 1977
LA GRANDE PUPPETEER 1979
THE LAST SUPPER 1977
THE ANARCHISTS KITCHEN 1977
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
THE BACCHUS 1974
VIETNAMESE MADONNA 1970
ASIAN EXODUS 1973
LA GRANDE PUPPETEER 1979
THE LAST SUPPER 1977
ALEKANDR SOLZHENITSYN 1970
Aleksandr Isayevich Solzhenitsyn (11 December 1918 – 3 August 2008) was a Russian author and Soviet dissident who helped to raise global awareness of political repression in the Soviet Union, especially the Gulag prison system. He was awarded the 1970 Nobel Prize in Literature "for the ethical force with whic…
SPANDAU 1975
SURVEYING THE PAST 1970
BALD HEADED MIND MAN 1972
SEE TIS MY OTHER MOTHER 1967
OLD LADY REFUGEE INDIA 1968
OLD MAN REFUGEE 1967
MOTHER AND CHILD 1968
REMBRANDT FORGERY 1970
EHT NAMUH 973
WAKEFIELD HOSPICE ART EXHIBITION
A charity exhibition by Yorkshire artists Queen Elizabeth Grammar School Northgate Wakefield
Friday 17th October 2008
7.30pm - 9.30 pm
"WAKEFIELD UFO ENCOUNTER"
P |
|
7 |
- |
6 |
PORTAL |
82 |
28 |
1 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
|
1 |
- |
7 |
ANOTHER |
81 |
36 |
9 |
W |
|
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
- |
- |
15 |
|
20 |
First Total |
|
|
|
- |
- |
1+5 |
|
2+0 |
Add to Reduce |
2+7+0 |
9+9 |
2+7 |
Q |
- |
6 |
|
|
Second Total |
|
18 |
9 |
- |
- |
- |
|
- |
Reduce to Deduce |
- |
1+8 |
-`` |
- |
- |
|
|
|
Essence of Number |
|
|
|